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Perry has described it as a celebration of family. If A Madea Homecoming is puerile it wears its feelings on its sleeve, too. And it has done very well from working with Adam Sandler and Perry (this is his second Madea feature for the streamer) and their “fnar, fnar” milieu of chortles. The world’s biggest streaming company doesn’t care about negative reviews or the disdain of comedy purists. O’Carroll is, in a way, the perfect Netflix star. “So, I thought these two worlds colliding would be amazing.”Ī Madea Homecoming: The Browns break bread – and wind – with Madea’s family. “I looked at Brendan’s history, and our lives were on parallel tracks in different parts of the world, with him doing live plays and then going into television too,” Perry told Variety. Its director, Listowel-native Gerard Barrett, shared with him a clip of Mrs Brown’s Boys. Perry was introduced to O’Carroll’s comedy in 2015, when working on psychological drama Brain on Fire. “Hilarity” ensues as Agnes develops a fondness for Madea’s special brand of “chocolate” – it is, of course, cannabis – before a surprise revelation threatens the romance between Davi and Tim. The Browns are soon breaking bread – and wind – with Madea’s family. Tim is anxious about coming out to his family – and the arrival of Agnes and Cathy does little to sooth his nerves. And so Agnes and daughter Cathy (O’Carroll’s wife, Jennifer Gibney) have crossed the Atlantic to surprise him.ĭavi has, for his part, acquired a boyfriend – Madea’s great-grandson, Tim (Brandon Black). He’s about to graduate from college in the US. It turns out Agnes has a black Dutch stepson, Davi (Isha Blaaker). You’ve probably already made up your mind whether or not this is a comedy for you. This is followed by a drawn-out gag in which Mrs Brown urges her new friends not to get their “knickers” in a twist – and they think she is using the “n” word. Next, she knocks on the door of an African-American woman and shouts “Wakanda Forever”. Agnes Brown’s first act upon wandering into the frame is to break wind.
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O’Carroll certainly offers few concessions to transatlantic sensibilities as he steps into the Netflix-verse. And each specialises in irascible toilet humour, which fans adore and others generally find dreary, incomprehensible or depressing. Agnes Brown’s first act upon wandering into the frame is to break windĪs with O’Carroll and Agnes Brown, Perry is hands-on – writing, directing and starring in the Madea films, which have to date made $600 million at the US box office.īoth comics have, moreover, found success playing ladies of a certain age (Perry has been dressing up as matriarchal Mabel “Madea” Earlene Simmons since 1999). O’Carroll offers few concessions as he steps into the Netflix-verse. What horrors would its dubbing algorithms inflict on us? What would they do to Marty Morrissey?Īs for the film itself… well, O’Carroll and Perry are clearly a match forged in sitcom heaven/hell (delete according to taste). It also makes us dread the day Netflix ever gets its mitts on Nationwide or Up For The Match. Agnes Brown is referred to throughout as “mummy” – a strange take on a character whose persona is built on the premise they are the quintessential Dublin “mammy”. This is made clear if you watch A Madea Homecoming (Netflix from today) with English close-captioning on.
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But its all-conquering machine-mind has come up against something many times more confounding in Brendan O’Carroll’s Mrs Brown, who guest stars in the new movie from African-American comedian Tyler Perry. Netflix has introduced global audiences to the joys of Scandi Noir, French whodunnits, Spanish heists and South Korean quiz-show torture porn.